Pygmalion
Queensland Theatre Company
The Playhouse, QPAC
until November 27
by Carmel Audsley

Pygmalion - isn't it lovely

After being moved to the back of the year when the Summer floods devastated Queensland Theatre Company (QTC) in January, George Bernard Shaw's Pygmalion opened at the Playhouse QPAC on November 8 to rapturous applause.  And it was well worth the wait.
While some opening night patrons may have been expecting My Fair Lady without music, there was enough similarity between the Lerner and Loewe 1964 musical and play written in 1912 to keep them interested.
Shaw wrote the part of Cockney flower seller Eliza Doolittle specifically for his paramour and well-known actress Mrs Patrick Campbell, to point his finger at middle-class morality and class distinction.
Professor Henry Higgins (Robert Coleby) boasts that he can place an accent within a few miles of where a person was born.  When he hears the bedraggled, guttersnipe Eliza (Melanie Zanetti) he decides to take her on as a project.  He bets his chum Colonel Pickering (Bryan Probets) that in three months he could pass Eliza off as a duchess at a society garden party, by using his experience in the science of phonetics to train her voice and throw on a bit of window dressing by teaching her how to dress and behave.  With his abstract, scientific methods, Higgins seems unaware that he is moulding a human being whose life will be forever changed, but three months is hardly time to prepare her for her new life in the real world.
Director Michael Gow has produced a...

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The MousetrapCentenary Theatre CompanyChelmer Community Centre
until September 24
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Cat on a Hot Tin Roof
Queensland Theatre Company
The Playhouse, QPAC
until September 3
by Carmel Audsley

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Faustus
QTC and Bell Shakespeare
Brisbane Powerhouse Theatre
until June 25
by Carmel Audsley

One hell of a play

The Faust legend has survived many tellings but perhaps the most known is Christopher Marlowe’s Dr Faustus and it is this version that writer Michael Gow has used as the basis for his tour-de-force Faustus which held the Powerhouse audience under its spell for close to two hours.

While Marlowe’s play is the foundation of the story, Gow has built up the drama by including Geothe’s innocent young girl Gretchen (Kathryn Marquet) as the...

Furiously Fertile
QUT Gardens Theatre
May 11-12
by Carmel Audsley

Fertile ground for seriously funny comedy

fertileA woman can get a little crazy when she hits her mid-30s. Her body clock ticks so loudly that it drowns out every other reasonable thought, panic sets in and her actions are ruled by her negative self-talk.
Why haven’t I met the right man yet? Why aren’t there enough men ‘out there’ who meet my criteria in a mate? I want a baby!
Acclaimed Australian actor Daniela Farinacci, perhaps best known to television audiences for her performance as Paula in Lantana, is brilliant as Nic, the slightly manic sports journalist with a successful career, her own home and no mate. She hatches a scheme to attract a male housemate - all above board on the surface, but secretly she hopes to seduce the unsuspecting boarder who will hopefully implant her and pass on his great genes to their baby.
Single women in their mid-30s usually have at least one best friend with whom they share their frustrations and joys, and Nicrsquo...

Julius Caesar
La Boite
Roundhouse Theatre, Kelvin Grove
Plays till March 20
Review by Carmel Audsley

Blood, battles and betrayal

Surely the message in Julius Caesar can’t be lost on our prime minister Julia Gillard. Can the perpetrator who stabs a leader and colleague in the back (metaphorically in Julia's case), expect to receive similar treatment when the time is right?
La Boite’s artistic director David Berthold has taken the directing reins on the season opener to bring to the round an edge-of-your-seat thriller with an outstanding cast.
This testosterone-charged version of Shakespeare’s Julius Caesar is all noise, shouting, violence, blood and guts in a quest for power and revenge. Caesar himself (Hugh Parker) dies so early in the play that we barely begin to know him and it falls to Brutus (Steven Rooke) and Marc Antony (Thomas Larkin) to flesh out the plot. But Caesar’s early demise makes him no less the subject of the play as his presence lingers throughout with dream sequences and his name upon...

Sacre Bleu!
Queensland Theatre Company
Cremorne Theatre, QPAC
Until March 12
Reviewed February 10, 2011
by Carmel Audsley

 

Funny stuff that French farce

It was no easy task getting Queensland Theatre Company’s first production for the year on to the stage.  Faced with 1.2 metres of water throughout the ground floor of their Montague Road administration and theatre complex after the recent floods, the Company suffered not only the loss of props, costumes and furniture as well as the performance studio, seating...

Tuesdays with Morrie
Ensemble Theatre Production
Gardens Theatre
Reviewed February 11, 2011
by Carmel Audsley

 

Morrie dispenses lessons in life

It takes courage to pull a section out of your life and put it on paper (and eventually the stage) for all to see.  Best-selling author and newspaper columnist Mitch Albom has done just that to great acclaim with his book Tuesdays with Morrie, adapted for the stage by Jeffrey Hatcher and Mitch Albom.

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Phantom’s love for Christine never dies

The idea for Love Never Dies has been ruminating for 20 years, more or less, according to Phantom’s creator Andrew Lloyd Webber.

“In roughly 1990 I had the idea of continuing the story of the Phantom and Christine and setting it in New York at the turn of the last century,” Lloyd Webber said.  “This time the Phantom lived above his realm.”

Love Never Dies is set on Coney Island where the Phantom found a new home among oddities and freaks so that he didn’t feel out of place with his scarred face and the mask he wore to cover his hideousness.

Lloyd Webber credits writer Ben Elton with suggesting that any new characters be scrapped and that the protagonists of the original show be allowed to move on.  Christine’s son Gustave is the only new principal character.

“When at last I had a story, I made a decision.  It would be daft not to occasionally have a flavour of the original show. ...